Some coverage of a Cleveland specialty store that's out of touch with the real picture

The Land did some coverage of a comics store in the Cleveland area, and the way they describe all this is sadly not looking at the modern picture of where mainstream comicdom sunk down to:

Carol & John’s Comic Book Shop feels less like a retail space and more like a place where stories are handed down. Some people come in looking for something specific, some people come in just to browse, but everyone leaves with something. A kid walks around looking at a Spider-Man book, a longtime customer flips through new releases on a table in the center of the store, each one of them there for the same reason. They’re a part of a community.

This is part of why comic books endure. They survive because we share stories with each other. It is a part of how we got to where we are culturally. Comic book heroes are America’s mythology. Much like England has its Arthurian myths and Greece has its Hercules, we have Superman, and places like Carol & John’s are the reason why our heroes have endured for generations.

But do we have these creations appearing in modern stories that are readable anymore? Sadly, quality's gone down so badly, with Superman's downfall in story merit just the beginning. Yes, comics as a medium can survive in some form or other, but what about IPs owned by conglomerates? Why doesn't that matter?

For Dudas, the story stretches back even further, to a great-grandfather who used comic books as a bridge into a new country.

“My great-grandfather was a Polish immigrant,” he said. “He could speak English, but he couldn’t read or write it. So he would learn from the context by reading comic books.”

When his great-grandfather died, the comics were left to the kid who cared. Dudas was 6 or 7 years old and studied them closely. By the time he was 12, he was working in a comic shop. Then, later, he and his mother opened their own.

“Between my great-grandfather and my daughters, it’s five generations of comic books in the city of Cleveland,” Dudas said. “I could talk to my great-grandfather about Superman, and I could talk to my daughter about Superman.” It’s a bridge that ties them.

That inherited understanding is what turns stories into cultural touchstones. Spider-Man and Captain America aren’t just characters. They’re mirrors. These stories persist because their morality transcends eras and they answer the same questions for every generation. Questions about responsibility, sacrifice and how tough it can be to be a righteous person when it is so easy to give in and quit.

That, alas, is what modern leftists writers did, in a way. This part completely obscures the disaster Cap's stories became in 2002, after the regular series was cancelled and a Marvel Knights series replaced it, which turned out to be apologia for Islamic terrorism. It was so stunningly vile, and quickly degenerated into even more aimless propaganda that seemed more about blaming America than actually solving problems like barbarism in modernity. IIRC, that series was easily the shortest lived of the Knights imprint, being jettisoned after 2 years, but the damage that began there was sadly never fixed, and successive editors/writers/artists never tried to avoid the kind of pettiness that first brought down Cap as an icon, seeing how later, there'd be stories where Steve Rogers was repeatedly replaced by other characters, some of whom were diversity-pandering tokens, and the worst moment was when Cap was made to say "hail Hydra". And Joe Quesada never apologized for what he enabled.

I think it's impressive the store owner's great-grandfather learned reading from comics, but the way this article airbrushes the bigger picture concerning the moral collapse of mainstream comicdom is very appalling.

I asked John whether comics had always shaped who he was, or if it was something that he discovered about himself later in life.

“I’m a better man for it,” he said. “My morality was developed around it.”

But was that decades ago? Because not many people seem to have grown attached to the creations since, and morality isn't developed based on the newer stories post-2000, based on the defeatist politics and ideologies they fell victim to since.

On Free Comic Book Day, thousands of people pass through the doors, and tens of thousands of comics are given away. The store provides free vendor space for local artists, hosts cosplay groups, and runs charity events that have helped generate more than 200,000 meals for the Greater Cleveland Food Bank. Free Comic Book Day is scheduled for May 2 this year.

On a Saturday, standing in the middle of the shop, that story becomes easy to read. Comic books endure because we need heroes. Not perfect ones, but flawed ones who try the way we try. We pass these stories down because they help us explain who we are and who we want to be.

“I believe in the hobby,” Dudas said. “I believe this hobby makes you a better person.”

I'm afraid the hobby alone doesn't do that. It depends on if you understand any of the messages clearly, show the guts to tackle challenging issues, which wasn't what the Knights volume of Cap did, seeing how it followed a leftist Blame-America narrative. Why, even reading literature alone doesn't make one a better person, if said literature happens to be built on negativity. It's a shame we seem to have here folks too full of themselves to show the courage to admit that, like Hollywood movie production, even comicdom's fallen victim to political correctness that won't be fixed by painting a superficial picture of the hobby that doesn't acknowledge what's gone wrong over the years. Also, have they considered what a disturbing emphasis on villainy turned up in the past 2 decades, sometimes at the heroes' expense? That kind of approach is also what brought down Cap, and makes it hard to believe Marvel's staff at the time respected heroism. Comicdom may continue to survive, but if store owners aren't willing to raise all the relevant issues, all because they may worry publishers won't do business with them, then they've failed again to solve anything.

News about artist Dave Brown

For Black History Month, Mid-Michigan Now/Fox 25 gave a report about how comics artist Dave Brown built up his career:

Detroit artist Dave Brown has transformed his lifelong passion for art into a successful independent comic book career. Growing up in a creative family, Brown was inspired by his father, an artist who specialized in landscapes and portraits. "I always wanted to draw," Brown said. "I started drawing Ninja Turtles... I had the love for it and kept going."

Brown honed his skills at Wayne State University and through years of experience on the convention circuit. His wife encouraged him to showcase his work at conventions, which led to collaborations with local writers and creators. "I can start doing this myself really," Brown said.

As an independent artist, Brown writes, illustrates, and self-publishes his own comic books, covering genres from family stories to horror and sci-fi. He emphasizes the importance of representation, especially for his sons. "I never really seen a black superhero that stood out," he said.

On this, I would like to make a crucial point that, without building on merit, of course nothing's going to stand out, and today, after all the damage done to Marvel/DC by cynical editors and publishers, even white superheroes don't stand out anymore, because almost nobody cares about the whole genre anymore. And if representation matters, how come nobody seems to go by nationality? Don't countries like Cameroon have what to draw inspiration from?

So good luck to Mr. Brown with his career, and he's doing the right thing by staying close to the indie world, but once again, we have an example of somebody who's not building an argument or vision based on the importance of merit. And seriously, I think it's a shame if he's working in the horror genre, because there's far too much of that these days. The sci-fi and family genres are what matter more.

Federal judges not accepting lawsuits against Neil Gaiman

The victims of Gaiman may not get the justice they seek in a court of law, as this Breitbart/AP Wire report notes:

Federal judges have dismissed three lawsuits accusing bestselling British fantasy author Neil Gaiman of sexually assaulting his children’s nanny in New Zealand four years ago.

Scarlett Pavlovich filed a lawsuit against Gaiman and his wife, Amanda Palmer, in Wisconsin in February 2025, accusing Gaiman of multiple sexual assaults while she worked as the family’s nanny in 2022. She filed lawsuits against Palmer in Massachusetts and in New York on the same day she filed the Wisconsin action.

Gaiman has a home in northwestern Wisconsin, and Palmer lives in Massachusetts. Pavlovich moved to drop the New York lawsuit against Palmer in May, explaining in court documents that she filed an action in that state because Palmer had recently relocated from New York to Massachusetts and she was unsure which state had jurisdiction. U.S. District Judge Mary Kay Vyskocil in New York City granted the request in June.

Pavlovich also dropped the portion of the Wisconsin lawsuit against Palmer in May, and U.S. District Judge James Peterson in Madison dismissed the rest of it in October, saying Pavlovich needed to pursue the case in New Zealand. U.S. District Judge Nathaniel Gorton in Boston threw out the Massachusetts filing on Friday on the same grounds.

It's sad that there's cases like this where only the court of public opinion can help deliver a much needed penalty to the offender, who may never face jail time or even a monetary fine for his offenses. Gaiman's career may be washed up, but once again, we have a sad case of a would-be celebrity who's all but getting away with serious violations as the legal system's regrettably not willing to enforce the law against him. Though it makes clear how, nearly a decade after the MeToo era, things haven't improved.

How are Canadian specialty stores managing now that Diamond's out of business?

Something I may have vaguely noticed in the past few months, but was unable to address until now, is that Diamond Distribution went throughly out of business; more than just filing bankruptcy. The CBC's looking at how this affects specialty stores in provinces like Newfoundland:

Comic book shops and a publisher in St. John's are still grappling with the repercussions more than a year after a major distributor declared bankruptcy.

Diamond Distribution, one of the world’s largest English comic book distribution companies, filed for bankruptcy in the United States in January 2025. For decades, it had been a supplier of comic books, board games, collectives and figures.

“Truly, everything you see in my shop, like, at one point I could have ordered from Diamond,” said Kerri Neil, owner of Downtown Comics in St. John’s.

Neil now orders from eight different distribution companies to stock her shelves. She said there were problems with having just one company dominating the industry, and it was expensive to use with the U.S. exchange rate and shipping from New York to Montreal and finally to St. John’s.

“As soon as we could jump ship … we were out of there,” said Neil.

But having to order from multiple companies can be a headache for small business owners, Neil added.

I realize many specialty stores are small business incarnate, but even so, nobody should be held hostage to just one single distributor if, in the end, they rip off the clients as Diamond did, including the following:

Black Panel Press founder Andrew Benteau said he previously used Diamond as a distributor and was owed thousands of dollars when the company went bankrupt. He has since been able to secure IPG as a distributor.

“We've had no revenue from books distributors since … [the] end of 2024 until last week, we got a payment of $600,” Benteau said.

As a result, he’s taken a second job in advertising.

So there's another business that got short-changed by Diamond, and no telling if they'll ever be repaid. Seriously, it was a mistake for retailers to rely solely upon their business years ago, and a shame if nobody would establish competitors years before. Now, many are finally trying, but maybe they should consider that some formats for comics like the pamphlet have to be jettisoned in favor of the paperbacks/hardcovers. If they'd consider, it just might alleviate the difficulties now faced in seeking distribution and how its done. Just like USA retailers, even Canadian specialty stores should give that some thought.

J. Scott Campbell draws Carol Danvers in her original 2nd outfit as Ms. Marvel

Artist Campbell took a most interesting assignment along with colorist Sabine Rich on a Marvel cover featuring a lady who's been wronged for nearly 15 years, all for the sake of being pushed out of her original codename and costume for the sake of a politically motivated direction and character in her stead:

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This certainly is quite pleasantly surprising on its own, though a title like "Dark Past" is cause for caution, no matter you look at it, based on the people now in charge of Marvel. Indeed, nobody should be foolish enough to trust them not to screw up again, even if they've shown signs and suggestions they're finally willing to move away from the repellent directions they took with Danvers in the past decade. They're also going to have to stop promoting the Muslim Ms. Marvel based on the background they gave her for political reasons, and it would do a lot of good if they'd remake the character into one that doesn't adhere to the Religion of Peace. Until then, it would be best to put the character on the shelf for a long time to help get over the stench they left as a result. That Marvel, under Axel Alonso at the time, went out of their way to produce leftist propaganda like that only wound up increasing the damage, and undoubtably, even now, much of said damage still remains and will continue to be there for as long as they're still publishing under the ownership of Disney.

Campbell's illustration of the real Ms. Marvel is something to appreciate, but let's consider that it is still just a cover drawing, and Marvel's books today can't be judged by just the cover.

This kind of history may be eyebrow raising, but is it really "wild"?

The Saturday Evening Post wrote about 10 stories from comics history they describe as "wild", and while that may be the case for some, I don't think such a description fits the bill when it comes to the following about a certain late cartoonist:

In their heyday, Ham Fisher, the creator of Joe Palooka, and Al Capp, the creator of Li’l Abner, were superstars of the comics pages. They were also bitter enemies who engaged in a years-long feud over the origins of Li’l Abner that ultimately destroyed them both. Their animosity came to a head when Fisher, in a pique, accused Capp of hiding pornographic images within the panels of Li’l Abner. Almost no one believed the accusation, and it destroyed Fisher’s reputation. He was drummed out of the National Cartoonists Society and took his own life shortly after. But Capp was no saint. In the 1960s and ’70s, several women accused him of sexual impropriety. Capp pled no contest to certain accusations, which led to hundreds of newspapers dropping Li’l Abner from their pages.

Yes, I know all about that sad history regarding Capp, who also offended actress Goldie Hawn decades before. And what he did is much worse than what the now deceased Scott Adams was accused of. Capp may not have concealed smut of the sort Fisher accused him of, but I do recall seeing an illustration or two from Capp's work that were troubling in terms of implied male-on-female violence. And that certainly doesn't reflect well on his reputation viewed in context of the sexual offenses he was accused of.

That said, this particular history isn't what I'd call "wild". It's just sad and disgusting. Here, Capp could've made an effort to stick to a more positive path, and instead, he became one of the earliest examples of a comics specialist who did horrible deeds, and now, if Lil' Abner's obscure by today's standards, it shouldn't be a surprise.

Specialty store manager in Ventura County "contracted" to sell classic comics

The Ventura County Star tells about a man in the region who's making a living selling classics like the Action Comics premiere from 1938 "under contract":

The Ventura County comic book store owner sat in economy on a flight to Sarasota, Florida. In the backpack, sheathed in a hard-cased shell insulated by bubble wrap, was an original Action Comics No. 1. Heague is contracted to sell the 1938 comic book that features the first appearance of Superman and also marks the introduction of superheroes.

There are maybe 125 copies in the world. One in near-mint condition, once owned by and stolen from actor Nicolas Cage, sold at auction for $15 million in January.

Action No. 1 is not just a big deal. In the world Heague has been obsessed with since he bought Web of Spiderman and Green Lantern comic books at the age of 8, it is the biggest deal.

“It’s a unicorn. It’s such a rare thing,” Heague said. “What I have – the stores, my very existence – it wouldn’t exist without Action No. 1.”

Heague, the personable architect of a social media network that includes 22,000 Instagram followers and 9,000 on Facebook, owns Arsenal Comics & Games in Newbury Park and Ventura.

Four years ago, the Ventura native negotiated with Marvel for 6,000 copies of “Amazing Spiderman” to be published with a cover featuring the Ventura pier and the landmark two trees that once sat on a hill atop the city. It was his store's biggest-selling book ever.

He writes comics too in genres ranging from horror and superheroes to humor and romance. An Archies book he wrote with co-authors that include actor Patton Oswalt sits for sale in his stores.

With ties across the comic book industry, he's also developed a reputation for selling big-name books, like the publications that marked the first appearance of Spidermen, the X-Men and the Avengers.

A friend connected him to a man who lives outside of California and owns some of the most valuable comics in the world. The collection included an Action No. 1. The man was looking for someone to sell it for him.

Heague, 33, flew to the man’s home. They talked. Heague, who sells facsimiles of Action No. 1 for $9.99, held an original version of the comic book for the first time.

Just so insulting to the intellect how this is a big deal, but not the reprint archives of Superman's past publication history. Instead of talking all about what the Man of Steel was like in the past century, both good and bad, all they can discuss is owning back issues they'll never read, and keep in plastic "slabs" for ages on end. Even fascimiles are nothing to celebrate, seeing how expensive they are at nearly 10 dollars, and the money spent on those could also be reserved for printing more paperback/hardcover archives too.

I'm also not impressed that the merchant went out of his way to arrange for variant covers of Spider-Man boasting the sight of a Ventura location, but wouldn't negotiate for wall paintings that could feature the same scenario to sell at his store. No doubt, the guy doesn't see any problems with increasingly expensive pamphlets either, and if not, that's another serious letdown. And some specialty store owners even do contract work for all this? That too is ludicrous.

In addition to the above news, The PRP also highlighted a musician who's also making a big deal out of owning a back issue of the Action Comics premiere:

System Of A Down drummer John Dolmayan hasn’t only pursued a life-long passion of music with the aforementioned Armenian-American nü-metal stars, he’s also spent decades in the comic books industry. His Torpedo Comics shop in Las Vegas, NV has been featured on ‘Pawn Stars‘ and he’s worked conventions promoting the business, while also creating and launching comic books of his own.

Over the weekend, Dolmayan showcased what may be his most valuable comic, a copy of the 1938 Action Comics #1. That book marked the first appearance of the iconic DC superhero Superman. An 8.5 graded copy of that book sold for $6 million at auction back in April of 2024.

In other words, this guy's the next speculator to buy these classic back issues in circles on the market, just because owning one is such a big deal, and won't be selling it to a museum at all. That's what's wrong with the whole picture here, and again, it's hugely disappointing how the speculator market continues to be fawned over at the expense of merit-based storytelling in the present.

A co-founder of the CBDLF sides with anarchists in Minnesota

The Comics Journal did a very biased interview with Greg Ketter, the owner of a specialty store in Minnesota who was a co-founder of the CBDLF years ago, and what's told here is a very disturbing example of how leftist the magazine and their interviewee are, in how they view divisive issues like illegal immigration, and rioting. They also distort specific facts about 2 antagonists:

In the now-famous protest photo of Greg Ketter by Theia Chatelle, Ketter is poised, tree-like, in mid-stride, his body clouded in mists of tear gas. Moments earlier, he had given the quote to the TV cameras that wrote itself into a part of cultural and political history: “I’m 70 years old, and I’m fucking angry.”

Ketter had come out on that Saturday not to protest, exactly, but to be a part of the Minneapolis community confronting ICE and CPB. He had been drawn out, initially, by the killing of Renée Nicole Good earlier in the month, and when ICU nurse Alex Pretti became the second Minneapolis resident killed by federal authorities in the space of three weeks, Ketter felt compelled to stand with others at the site of the murder. "I got there about an hour after the murder and went right up to the intersection that ICE had taped off and stood guard. There were perhaps 50-100 of them and several hundred observers/protesters milling around. Some were right up front yelling and swearing. I became one of them," Ketter wrote on his Facebook page.

Ketter is a comic shop owner, and a notable one: his shop DreamHaven Books, founded in 1977, is the oldest continuously operating comic shop in Minneapolis, and among the oldest in the United States. And while the extent of national attention has been somewhat new to Ketter – he spent the three days following his appearance on the news fielding interviews with national and local press – it is not the first time he has stepped into the media spotlight. In 1987, he became one of the founders of the Comic Book Legal Defense Fund, and remained on the board of that organization for the next two decades. In 2020, his shop was damaged during the unrest that followed the murder of George Floyd, prompting Ketter to reluctantly open a GoFundMe to support the store’s recovery.

This is easily one of the worst articles I've ever read coming from TCJ, and compounds the far-left vision they appear to go by. From what's been reported, this Good tried to ram an ICE agent with her car, all for the sake of a petty political position. And the agent she attacked had previously been struck by an illegal immigrant who was a child rapist. And Mr. Ketter's taking the side of the anarchists? This is a most embarrassing moment for comicdom and its marketing division. Also notice how the magazine and interviewee also obscure Floyd's disturbing criminal background. And they expect everybody to view them as a serious news source for comicdom? Why, how does being foul-mouthed make one a better person? Here's more from the interview itself, and it's such a groaner:

For people who aren't in Minneapolis, can you try to describe what it's been like, and what it’s like now?

Well, I guess in Minneapolis, we really do care about community. We care about each other, and people have been tremendous about the whole thing. And we like immigrants, overall. I mean, unfortunately there's been news about the fraud and everything else, which was a very tiny percentage of people and a smaller percentage of immigrants, but they happen to be involved and that's a shame. But overall, people are just very pleased that we have the immigrant populations that we have.

How did you kind of get involved in...it feels wrong to call it a protest. But how would you describe what you were doing out there?

I was there for several reasons. For some reason, I wanted to be present. When they killed Renée Good, I went to the memorial that evening, and that was just thousands of people getting together to show respect. And there was a lot of “Fuck ICE,” and everything else going on, but really I think it was just to show support. And Saturday, I went down there because I felt I should be there and I hadn't actually witnessed ICE at all. Amazingly, I hadn't seen any of the things going on. I'd been to other gatherings. I'd been to strategy meetings and things like that, but I hadn't seen ICE itself in the flesh. So I went to watch, to see what was going on.

Had you been involved with any political activism in the past?

A bit. I mean, I was a co-founder of the Comic Book Legal Defense Fund, which we started in response to prosecution of [the Illinois comic shop] Friendly Frank’s back then. And Denis Kitchen called me, and right away, and we started fundraising, and then we started the permanent CBLDF. I was on the board for the first 20 years, and then I moved on. I've always been a free speech advocate. That's been my main thing.

And what if it turns out that Mr. Ketter vehemently refused to give Mike Baron any backing on his part when the veteran writer of Nexus had to file a lawsuit over a left-wing news site's incitement against him for publishing an indie comic titled Private American? Some "free speech advocate" Mr. Ketter is then. It's clear the CBDLF's operated almost entirely according to their political standings, and that doesn't help at all. Let's also recall the same outfit was also once managed by Charles Brownstein, who was accused of sexual misconduct in the past 2 decades, so it's not like they were ever clean as a whistle even on those particular matters. And then, look how Ketter downplays the Somali Muslim community fraud scandal that was discovered in Minnesota, and no mention made how widespread it's been said to be, with a number of arrests already made. And again, how does repellent profanity make one a better person, or reflect well upon the mob Ketter joined? Based on this, no sane person, in comics or out, should seek the services of the CBDLF with people like him in charge. Mr. Ketter also brought up more of his MO, political or otherwise, and this too is telling:

It’s a bookstore market versus a periodical or a collector’s market.

Right. I try not to cater just to the collector market. I do have collectors comics; I have back issues of certain things. I buy some of them, and we have a decent selection of some older comics, but I don't go out of my way for that. I've been doing underground comics. I've always been into underground comics, and we have the best selection around here, certainly in the Midwest. And I like unusual things.

So do you sell mostly comics these days, or mostly sci-fi prose books?

It's a pretty good mix. LGBTQ+ comics and graphic novels are huge. We're selling everything in that realm. I was just a guest of honor at Gaylaxicon that was put on here: it's a traveling convention for gay science fiction and comics fans. And I'm straight, I've been married for 40 years to a woman, but they made me a guest because I've always been very supportive of the community. But those books are our bestsellers. We're selling lots and lots of good graphic novels.

It wouldn't be shocking if the underground comics he's written have been viciously political too. What are the chances that, in contrast to LGBT causes, he's never been supportive of the Jewish community Stan Lee, Jerry Siegel, Joe Shuster and Jack Kirby came from? Or even the Armenian community? And where's the sales figures for the LGBT comics he speaks of, or even the GNs? Interestingly, he also says:

Because you sell graphic novels and books, you probably weren't affected by the bankruptcy of Diamond quite as much as other shops.

Not in the same sense. I mean, I never did open up accounts with Lunar or any of those. I would still order DC comics or a few Marvels, and I just gave them up. I just said, "After all this time, I can't order one or two comics from them." I didn't have the volume to order from them, so I didn't bother. And I get almost all my stuff from Ingram now. It used to be Baker and Taylor, but now I get it from Ingram, and I've actually just started buying a few things direct from various publishers. So I guess I have to go back to that. I mean, I've been at this long enough that I used to do that a lot.

Does he mean he hasn't had any luck selling modern DC/Marvel comics? Well at least we know how and why LGBT stories he speaks of eclipsed sales he had of those, in a way. But based on how leftism seems to be his motivation, that's why I can't give him credit for allegedly not relying only on the speculator market. Nor can I really appreciate when he brings up the following:

What do you think made you dial back your involvement with the business as a whole?

Some of it's the disillusionment, like I said: the commodification of some of the comics. I hate multiple covers, and all the variants, and all that kind of stuff. People didn't seem like they were necessarily reading them anymore. They were just accumulating them. I like to have people read.

We're kind of in a residential area. And the neighborhood just loves me, because I have children's books, children's graphic novels. I've been expanding that section all the time.

But does the neighborhood think it's a healthy example to be selling LGBT propaganda in the same store, considering some of it was pushed into school libraries? What if he wants children to read the propaganda, including anything as political as he's taken part in? As for variant covers, hey, I find it hugely dismaying too, how they've become such a norm in marketing, with the worst part being how any company that's specialized in them could be doing it in hopes it'll distract from political propaganda they're turning out. But Mr. Ketter, in all his leftist biases, doesn't seem to dwell on whether that's one of the problems, and that's why his argument rings hollow.

What are the big sellers in that area?

Amulet, the graphic novel series, Phoebe and the Unicorn. Amazingly, Calvin and Hobbes is still one of our bestsellers after all these years. 10 year old boys can't get enough of Calvin and Hobbe. We still sell a lot of Bone. Teenage Mutant Ninja Turtles has picked up again quite a bit for us. I kind of missed the beginning of the trend, but they're doing well now.

You were one of the shops that first sold Eastman and Laird’s initial issue, weren’t you? You got in early on independent comic publishers.

Oh yeah. Oh yeah. [And] I had Dave Sim in a couple of times, and he was always supportive. He wanted me to open up a Cerebus-only shop. He insisted that that would work really well: it'd be all Cerebus all the time. And I was like, "I don't think so.” I was there very early on with Elfquest. At the time, I was selling the collections that they were doing, and I had sold more than the entire B. Dalton's chain had sold at the time.

What's that? The same Dave Sim who was mostly shunned by the turn of the century because his work was considered misogynist? Gee, that sure is some "show of responsibility" right there. I thought some of the material I'd found in past years from Cerebus and such by Sim was embarrassingly bad, including an early "parody" of Red Sonja, and if that's the kind of "underground" fare Ketter considers okay, something's terribly wrong here indeed.

With this, the Comics Journal has really clarified what kind of left-wing news source they really are. I wouldn't buy at Mr. Ketter's store even if he offered tons of paperbacks and hardcovers for free if this is the kind of political advocacy he's going to uphold. And all the while, people like him turn their backs on the horror story in Iran, proving just how disrespectful they really are of the messages of the Marvel/DC comics of yesteryear. I don't know about the citizenry of Minnesota, but I will not buy at a specialty store run by somebody like Mr. Ketter. He's only giving the sales segment of comicdom a bad name, and making a case for why specialty stores may be outmoded at this point. What he's espousing is exactly what specialty store managers need to avoid if they don't want to tarnish the reputation of comic stores. And no sensible person should waste money on the CBDLF either.